:: JP Kurang Kerjaan ::

As someone working for bringing goodness in this corrupted world, this song MV is really so relatable. Especially when everyday is against the next generation and you want to make a difference. There is a probability for people to witchhunt you because you are trying to do something out of norm. People who you want to protect are actually people that can turn their back against you. Sad, how people can be blinded by provocation. The progress halted because they burn the bridges that they should have crossed. And they stay there, poor and miserable. What would you do? Be that agent of change, or just going with the flow? If you want to be spiritual, Jesus nailed to the cross because he wanted to be an agent of change. So, yeah, being a rebel against all odds is actually biblical.  If you want to say leftist, Jesus was the very definition of leftist. He was against the status quo. He introduced laws that were not in line with the power hierarchy. He democratized saving grace and cond...

I like this song. There I say it before further comments. When I was listening to this song, I thought this would be a Kiara song! The music, the chord progression, and the melody is so Kiara. And then when I looked at the description, it makes sense. The same team who produced Kiara's MIRAGE was handling this song. It's a good song, but this is not what Anya Melfissa song should be. At least that is my deepest thought. This is my personal opinion and I respect the reality. LOL. I have a crush to Anya's voice. I was her voice fan since her Phony cover.  Her nasal voice and the legato comes with it really makes her special. Sure, she would be a genre and not all pop songs for her. However, for that kind of song, she even beat Suisei. I think the best producer for her should be a trance or EDM producer like YUC'e. The local producer probably REDSHiFT and Mardial. It's on her genmate's link. The last Everlasting Knife   雄之助  also has the good sense.  I don't k...

IMHO, we are at the age where human existence in the virtual world is one of the consciousness. As Jean Baudrillard said, we are now at the age of Hyperreality. I believe vtuber is a part of consciousness of a human behind. Although at this stage, it is part of a role play, a kayfabe by someone. As mentioned by Zimbardo in Lucifer Effect, roleplaying when done repeatedly becomes part of that person. The roleplaying affects the real world. The persona played by the person behind becomes the part of the person itself. That's why the character becomes someone. There is an "id, ego, and superego" that becomes the character's engine. How can AI replace that engine? This part needs to be tackled by AI first. The AI needs to be able to "hallucinate", or generate random factoids, with a consistent manner. Being someone like that, it needs to be fed with the right input. Human beings the super group of sensors is constantly build its knowledge by the input from those...

If you asked me about A.I., I would say that the real problem is about making it ethical. We want a bias A.I., not the straight A.I.. I mean, if you see the data, you would have non-certain privileged skin tone people "problematic" based on the cases. In a scenario where A.I. the first filter, we will have them marginalized. However, we as human have a bias for working towards equality. We boost certain values to make the playing field more equal for all. Well, scientists, be it a STEM and social, it's our job together to shape the best algorithm for A.I. and build that Retrieval Augmented Generation (RAG) towards equality. A.I. should be a problem of culture as we have been integrating cyber reality into our society. Technology is no longer a problem of math and algorithm, it's also lives and consciousness for many people. As Baudrillard once said, we are now living in a Hyperreality. Let's build our hyperreality on equality.

  Why an international brand like JKT48 produced a Karaoke-like MIDI music?

  The lyrics are not my favorite. It's more than innuendo, feels like literally a horny thought. But, what I respect from this song is that they mixed Dancehall, especially Downbeat Reggeaton with Koplo. It's a good exploration to introduce a new music in the Indonesia musicscape. The trap beat and the typical dancehall stylized vocal really mixed well together with the song. I wonder why after these years of dancehall dominance, Indonesia just produce this kind of music?